Tuesday, 2 June 2015

Evaluation...

Within this evaluation, I will critically evaluate my final performance from my Independent Composition Task. My idea was to adapt an already existing song (Defying Gravity – Wicked) to a 4 part harmony to potentially teach to my choir. 

One strength of my composition was that it aided my personal focal development point of working on my higher register, as I was singing the part I intend to be for sopranos in a choir. The original key for Defying Gravity makes it a perfect soprano line as it is quite high and sits within a soprano range. This meant I was putting my newly developed muscle memory to work and to the test. I was surprised when I listened back to the recording of my composition at how different the higher notes sounded compared to how they used to sound. 

Another strength of this composition was, compared to last semester, the quality of the recording was much better, due to using a different software. This time around, I recorded my composition on garage band. This piece of technology allows you to layer things on top of each other and cut and move them so they are in time with each other. This is a vast improvement on my composition from last semester which had terrible quality and you could hear background noise on it. Using garage band has made my final composition sound much more professional as it is the type of technology that would be used in professional recording studios.

One weakness with my work for this project is that as I struggled writing the ATB (Alto, Tenor, Bass) part of it, I didn't complete the whole composition. This, as a result meant that when having my work assessed I only had the Soprano and Alto part recorded, which didn't really demonstrate how the whole composition should sound when it's all put together.

To improve on this, I would try and find an easier place to start when turning a pre-existing song into a choral piece rather than going in with my eyes pretty much closed.

The process of finalising my composition is another weakness of this project as I didn't leave myself enough time to write my composition and get it down into a score before recording it. Overall, I think that my time management over the course of this project wasn't as good as I would have liked and I should have tried to set aside more time to work on it. “Time management is the key to success. Those who manage time efficiently will get rewards; those who fail to do so, will face disappointments.” (Panse, pg 119).

To improve this, as I said above, I would designate time for individual tasks within my project to ensure things get done to a good standard and on course for completion for the deadline. This would increase the chance of a completed composition and would mean less stress on me closer to the deadline when I'm rushing to get things done.




Bibliography

Panse, S. 2014. Time Management for Students. PartridgeIndia. 


Bibliography...

StereotypesAcapella. 2012. A Cappella - Defying Gravity (The Stereotypes). [Online] [Accessed 19th May 2015]. Available from: https://www.youtube.com/watch?v=II8He1mB_WY


Eric Whitacre's Virtual Choir. 2010. Eric Whitacre's Virtual Choir - 'Lux Aurumque'. [Online] [Accessed 19th May 2015]. Available from: https://www.youtube.com/watch?v=D7o7BrlbaDs

PTXofficial. 2015. [Official Video] Daft Punk - Pentatonix. [Online] [Accessed 19th May 2015]. Available from: https://www.youtube.com/watch?v=3MteSlpxCpo 

Under The Sun Studios. 2013. Vocal Warmup #1 for Soprano. [Online] [Accessed 19th May 2015]. Available from: https://www.youtube.com/watch?v=elv_ZKoMsfM
ericwhitacremusic's channel. 2011. Light and Gold: Lux Aurumque - Eric Whitacre. [Online] [Accessed 19th May 2015]. Available from: https://www.youtube.com/watch?v=0j2JRcC6wBs
Malone, G. 2013. Gareth Malone Voices Selections for SATB Chorus. London: Novello Publishing Limited.
Sierra Coleman. 2011. Sleep - Eric Whitacre (Lyrics). [Online] [Accessed 11th February 2015]. Available from: https://www.youtube.com/watch?v=bxjWNJU8rNE
Schwartz, S. 2003. Defying Gravity. Idina Menzel. Wicked (Original Broadway Cast Recording). [iTunes download] Decca Broadway/Universal Music.

Schwartz, S. 2003. Defying Gravity. [Musical Score] Grey dog Music. Available from: http://www.operalady.com/Vocal%20Sheet%20Music/Wicked_DefyingGravity.pdf

TimeToBlowYourMind. 2014. 

Defying Gravity [full] - Olivier Awards 2014 - Willemijn Verkaik. [Online] [Accessed 23rd May 2015.] Available from: https://www.youtube.com/watch?v=wPfETQgvcbw 

Presentation...

Track...



This is the beginning of my composition, it's not finished yet due to writing four-part harmony being a mammoth and foreign task to me. I do however, plan to finish the composition and hopefully eventually teach it to my choir. 

Creating The Music...

In all honesty, I struggled with this assignment quite a lot. I didn't know how I was going to create what I could hear in my head for all three parts. 

I decided that the best way to do it was to work through the parts one at a time. I decided to start with the Alto part. 

I enlisted the help of Sara to sing the alto part while I sang the soprano part, just so I could hear them both together. 

I Dare You To Defy Gravity...



I remembered watching this performance on the Olivier Awards last year and remembered how amazing it was. I'm posting this purely to keep my spirits high and because I think this is one of the best versions of the song. 

D flat Major...

Having found a musical score for Defying Gravity from http://www.operalady.com/Vocal%20Sheet%20Music/Wicked_DefyingGravity.pdf I discovered that the key it is written in is D flat Major. 

From this, I decided that in order to create another three harmonies for my piece, I needed to first completely understand what the D flat Major scale is.


Now, since I understand what chords go into D flat Major, I decided to assign notes to each of the four parts (SATB). 


While I'm still not 100% sure on these notes, it is what I have decided on for now and may be subject to change as the project continues.